Thanks to Triguy, the Fellowship will make its Hollywood debut in 2009 in “The Burning Plain.” Anowyn, Triguy, and yours truly were “technical extras” in the filming of the next Charlize Theron film by the writer of Babel, Guillermo Arriaga.
The film weaves together two storylines taking place in the past and present. Basinger will play Gina, the mother of Charlize Theron’s character as seen in childhood. Theron will play Sylvia, who tries to find common ground with her parents after a turbulent childhood. The two narratives eventually converge. The drama begins shooting in early November in New Mexico.
Before I start booking flights to next year’s Oscar ceremony, I should point out that we may not make it past the cutting room floor. If we do become a celluloid sacrifice, it won’t be due to our superb acting or cycling skills. It will probably be the fault of the nosy couple that sneaked out from behind a rock on the 4th or fifth take to try to get in the film.
It was a blast being in the production and getting a first-hand look behind the scenes of making a film. All of the crew was so professional. I got a sense that everyone loved what they did, and they all did their best to put in 110%.
It was my first ride of the year as well, and it felt great to get on my bike again. We spent the entire morning shooting a 3-5 minute scene between the Burnside and Steel bridges. Anowyn and I began by the Burnside bridge, and Triguy started at the steel bridge. We crossed paths a few moments after Anowyn and I cruised by Charlize and Jose Maria Yazpik. The scene typically ended about the time we rode past the roundabout by the steel bridge. We estimated that through all the takes we probably rode close to 7 miles in all.
We had several near misses as we rode by Charlize’s real-life dog (does a dog count as an extra?). I’m happy to note that we did not run over Charlize’s dog; I don’t need my 5 minutes of fame through that type of infamy. I did run over a cable during the first run-through. After that, one of the ADs told us to ride on the other side of the path.
We got paid $10 more than the standard extras because we were technical extras due to our specialized skill. And I have to say that they got their $10 worth; it’s not easy riding past Charlize, Jose, a camera guy, and the guy that was holding up the big white reflective board, especially when you have to look like nothing in particular is going on.
To be honest, I’m more excited that “Little Joe” will be in the movie than the fact that I might be recognizable as the second blur of a cyclist rides by.
If that scene doesn’t make it, I may still be in the movie because we also shot a scene at the Portland airport. That was even more interesting. Rather than rope everything off and create a big disturbance to real travelers, we shot the scene as unobtrusively as you can get. Other than the guy with the steady cam and the actors and us extras endlessly walking the same circuitous path (past the actors, out of the camera view, turn around, up the escalator, down the escalator, back into position to wait for the next scene, repeat…), you would have no clue a film was being shot.
The best part was rather than rope off a section to film (to keep the random passersby, who aren’t getting paid, away from the scene), the ADs were dressed as sky cabs and wrangled travelers away from the camera.
So, next year’s academy award winning film, The Burning Plain, will hopefully showcase the talent of our Fellowship. Sorry, Cap, we missed you. We’ll still talk to you when we’re famous; maybe we’ll even let you ride with us!